Liquiescence used architectural and digital media elements to create a spatial and temporal experience which is in a constant state of "becoming".

Liquescence

Liquiescence was commissioned in 2001 by the Cooper Hewitt National Design Museum, New York, for the first American Design Triennial. The only exhibition of its kind in the United States, the Triennial presents a critical review of leading developments and emerging figures - shaping current discourses in American architecture, media and design.

The exhibition included leading designers and architects in the field including, Julie Taymor, Bruce Mau, Steven Holl, John Maeda and Stefan Sagmeister, and was curated by renowned designers and historians Donald Albrecht, Ellen Lupton, and Steven Holt. 

Exterior installation view of aerospace aluminum frames and stretched poly-lycra fabric being assembled for exhibition. Size: 25'x 45'

Designed and executed in collaboration with "LOOM Studio" architects, Liquiescence used both architectural and digital media elements to suggest a spatial and temporal experience which is in a constant state of "becoming". Neither solid nor liquid, the project evokes rhythm, motion and perpetual transfiguration in the indeterminate zone between light and shadow, time and space, figure and field.

Exterior installation view of aerospace aluminum frames and stretched poly-lycra fabric being assembled for exhibition. Size: 15'x 25'

The installation was designed to take advantage of the unique exterior light well of the museums 19th century atrium and courtyard. Strategically situated in the transitional space between two thematic areas of the exhibition entitled "Physical" and the "Fluid", Liquiescence fused both concepts together forming an experiential bridge from one part of the museum to another, and from one field of thought to another.

Interior view of light courtyard and Southeastern structure at dusk, with video projections. Size: 15'x 25'

The only commissioned work for the exhibition, the physical installation consisted of three large computer designed aerospace aluminum frames skinned with translucent poly-lycra fabric. These forms are attached to the outside of the museums ornate facade. 

The character and phrasing of the digital video projections were created by a series of specially recorded underwater video sequences. The motion and timing of the video was modified using computer software to re-map the natural ebb and flow of light patterns on the water to follow new patterns of human respiration, heart rate and muscular contraction..

Specially designed fasteners, bracing and nylon cord allow for the fabric to be molded into elaborate organic shapes without damaging the historical structure. These three architectural elements are combined with digital video projections and attenuated natural light to create three shimmering illusory spaces that correspond to the atriums three windows looking onto museum first floor courtyard.

Interior installation view fabric structures with video projections. Size: 10'x 15'

Choreographing the biological rhythms into the architecture of time in the video sequences allowed for the digital and architectural elements of Liquiescence to merge into a seamless organic experience for museum visitors in the surrounding space.

Multiple view of interior courtyard at dusk, and Southern structure with video projections. Size: 15'x 25'

Interior view of light courtyard, and Southeastern structures with video projections. Size: 10'x 15'